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Brief interviews with hideous men /

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Format: Book
Language: English
Published: Little, Brown and Co., 1999
Edition: First edition.
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In this thought-provoking and playful short story collection, David Foster Wallace nudges at the boundaries of fiction with inimitable wit and seductive intelligence.
Wallace's stories present a world where the bizarre and the banal are interwoven and where hideous men appear in many guises. Among the stories are 'The Depressed Person,' a dazzling and blackly humorous portrayal of a woman's mental state; 'Adult World,' which reveals a woman's agonized consideration of her confusing sexual relationship with her husband; and 'Brief Interviews with Hideous Men,' a dark, hilarious series of imagined interviews with men on the subject of their relations with women.
Wallace delights in leftfield observation, mining the absurd, the surprising, and the illuminating from every situation. This collection will enthrall DFW fans, and provides a perfect introduction for new readers.


A Radically Condensed History of Postindustrial Lifep. 0
Death Is Not the Endp. 1
Forever Overheadp. 4
Brief Interviews with Hideous Menp. 14
Yet Another Example of the Porousness of Certain Borders (XI)p. 29
The Depressed Personp. 31
The Devil Is a Busy Manp. 59
Thinkp. 61
Signifying Nothingp. 63
Brief Interviews with Hideous Menp. 69
Datum Centuriop. 106
Octetp. 111
Adult World (I)p. 137
Adult World (II)p. 156
The Devil Is a Busy Manp. 162
Church Not Made with Handsp. 165
Yet Another Example of the Porousness of Certain Borders (VI)p. 180
Brief Interviews with Hideous Menp. 181
Tri-Stan: I Sold Sissee Nar to Eckop. 200
On His Deathbed, Holding Your Hand, the Acclaimed New Young Off-Broadway Playwright's Father Begs a Boonp. 218
Suicide as a Sort of Presentp. 241
Brief Interviews with Hideous Menp. 245
Yet Another Example of the Porousness of Certain Borders (XXIV)p. 272

Review by Booklist Review

The structure of the short story intrigues and piques Wallace, prompting him to subvert it. He imitates academic writing by attaching substantial footnotes to "The Depressed Person," thus creating a contrapuntal story within the story. "Datum Centurio" is a set of definitions of the word date, purportedly found in Leckie & Webster's Connotationally Gender-Specific Lexicon of Contemporary Usage, copyright 2076. The title story, appearing in four installments, consists of a string of monologues in which men talk about women. Sex in its more disturbing modes is the collection's underlying theme. A man listens intently as a woman describes being raped. Another man goes into explicit detail in his rant against men's sexual selfishness, and a woman worries that her husband doesn't enjoy their lovemaking. Like Stephen Dixon, Wallace is adept at generating streams of consciousness, rendering mental states in almost psychedelic detail. And he practices this art to perfection in "Forever Overhead," in which a 13-year-old boy is nearly overwhelmed by sensory overload while awaiting his turn at the high dive. --Donna Seaman

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

A host of talented narrators and actors-including television actors John Krasinski and Christopher Meloni-deliver nuanced performances of the late Wallace's classic. But it's the author himself who steals the show: his gentle, almost dreamy voice unlocks the elaborate syntax and releases the immense feeling concealed by the comedy and labyrinthine sentences. While the various narrators ably capture the essence of the text, Wallace's renditions of such stories as "Forever Overhead" and "Death Is Not the End" are transcendent. Essential listening for Wallace fans and a fine introduction for newcomers. A Little, Brown hardcover. (Oct.) (c) Copyright PWxyz, LLC. All rights reserved

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

Following the success of his massive, much-acclaimed novel, Infinite Jest (LJ 1/96), Wallace returns to fiction with a similarly dense, cerebral, and self-reflexive set of short works. Wallace's characters are psychological grotesques, emotionally detached and sometimes, as with the na‹ve young wife in "Adult World," finding an odd freedom in their distance. While the inauthenticity of male/female relations is a recurrent motif, the central theme is the nature of narrative itself, as in "Octet," where the author turns self-reflexiveness on itself, creating something that might be termed meta-meta-fiction. Fans of Thomas Pynchon and Donald Barthelme will find comparable challenges here. For libraries where Infinite Jest was popular.ÄLawrence Rungren, Merrimack Valley Lib. Consortium, Andover, MA (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Writer David Foster Wallace was born in Ithaca, New York on February 21, 1962. He received a B.A. from Amherst College in Massachusetts. He was working on his master's degree in creative writing at the University of Arizona when he published his debut novel The Broom of the System (1987).

Wallace published his second novel Infinite Jest (1996) which introduced a cast of characters that included recovering alcoholics, foreign statesmen, residents of a halfway house, and high-school tennis stars. He spent four years researching and writing this novel. His first collection of short stories was Girl with Curious Hair (1989). He also published a nonfiction work titled Signifying Rappers: Rap and Race in the Urban Present. He committed suicide on September 12, 2008 at the age of 46 after suffering with bouts of depression for 20 years.

(Bowker Author Biography)

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